WISE FWOM YORR GWAVE

After I started using Twitter I remembered how much I enjoyed having opinions on the internet that no-one will read. However the 160 character limit (you only have 140 you say? Oh. Well, keep at it and they'll make you "Elite" too) isn't always sufficient for my verbose ranting. Any casual reader to this blog (I just made myself chortle) knows I use fifteen squillion words when one (or any real number) would suffice.

So instead of trying to come up with content every week like some moron with motivation and dedication, I'll just occasionally update with whatever pops into my head.

Just to verify, for those wanting the full Mento internet experience:
My Twitter ( http://twitter.com/KingMento ) will be used for updates on what I'm playing and my opinions thereof, therefrom and wherefore. In that order.
My Backlog ( http://www.backloggery.com/mento ) is what I own and will intend to play in the future (pretty unimportant, unless you want to read some random internet stranger's playlist and recommend something. Why would you do that? You're weird.)
(I Love) My Dead Gay Blog ( this one ) which I will be about anything else. Nagging mostly.

I will christen/baptise/"anoint with unguents to appease Baphomet" this resurrected blog with a Game Design Observation. What a thrill ride. This is. This blog. Read on already I'm dying up here.

~~ Game Design Observation of the Week ~~

I lately tried the freeware game The Untitled Story (try it here: http://www.gamemakergames.com/?a=view&id=6278 ) and, while a very decent effort from a single dude using Gamemaker software, there were a few design choices I took issue with. Please note that these design decisions aren't exclusive to this fine (and free!) game and that I'm not picking on it because I'm a resentful hack. *Cough*. These could all be tropes already, in fact, on that TV Tropes site that I waste too much of my time on (though I haven't spotted them as of yet) due to how common they are. What design choices am I talking about? And why do I dislike them? Let's make a list, those are always received well by internet article places:

This Week - Money Glitch or Money Farm Conundrum.

A common instance in any RPG as well as Action/Adventure variants like Zeldas and Metroidvanias (especially the latter genre, where money and numbers in general aren't as relevant) is the appearance of a store where several useful items often necessary to the adventure can be purchased. As the Designer, you have to anticipate that the player will want these items as soon as they're available.

Common convention dictates that you should simply provide your player with sufficient funds to purchase everything available. You could do this by making the usual drops (from enemies or barrels or wherever else you think video game NPCs are likely to hide money in, like toilets or loved ones) plentiful enough to easily buy everything, making the whole money/shop element largely redundant. Or you could simply make the game's currency finite and a secondary collection subquest (such as the Red Jewels in Illusion of Gaia). Finally you could just withhold items until later in the game when it's more likely the player can afford them and are less able to break the game with them. This requires additional scripting flags and some consideration towards balance, so that's extra work the designer isn't interested in. Which leads us, inexorably, to the case below.

Unconventional wisdom dictates that you should present all the game's inventory in one spot and then make some of the items ridiculously expensive in the hopes it chases the gamer away until later on in the game when they have the funds. It will not. Today's crowd are a very anti-authoritative bunch, and if you tell them they're not ready to buy this item they will defy you even if it irritates the heck out of them. But not as much as missing out on something in the present would irritate them. The path of lesser irritation, if you will. So we come to the Money Glitch vs Money Farm decision.

You have anticipated that your players won't take no for an answer, so you can present them two options: Go fish, or a subtle hidden option that allows them to "break" the game's bank with a glitch. The "Go Fish" option is a fine decision if incurring the resentment of everyone who plays the game is your objective, but on the strange off-chance that it isn't, let's consider the glitch option instead. The best place to hide a money glitch is in some kind of nearby gambling mini-game that can be exploited with a little forethought. Don't make it too easy - you want the players to earn this money one way or another, so why not present a challenge that will make them feel superior over the game - even though their "cheating" has only really saved them some farming time. My Case Study example (see above) chooses not to do this - it will provide a gambling mini-game but that game will automatically deduct funds and save the game before you can reload. Forcibly quitting the game to get around this unwanted save will cause the game to kick your PC's RAM in the balls and run off. It very much wants you to earn vast amounts of currency the hard way.

With the Glitch option, the resulting "player confidence boost" costs you nothing as the designer, but it heightens the enjoyment of the player considerably. And if you believe that giving the players that much power will disturb the almighty "balance", just sic something horrible on them as the next boss. This is a battle of the egos after all, my friend.


As an end note, TVTropes does have something about measures a game may take to prevent players from having to endlessly farm gold or items or what have you, charmingly called "Anti-Poop Socking". The idea being that a player will remain fixed to his (I would make this pronoun gender neutral but I honestly don't believe it applies in this case) screen as they farm for hours, necessitating the need to poop in one's own sock rather than take a bathroom break. Ah, to proudly bear the mantle of "Gamer".

An End To Supertacularness

Oh right, this thing. Yeah, I sort of abandoned it a few months back. Well, I got nothing interesting to say these days. Sorry. I figure I got enough game ideas here to sink the Bismarck, which would be an apt analogy if game ideas were torpedoes, which they are not to the best of my recollection.

SO.

So I've decided to list them all here in handy link form with very brief descriptions which you, the internet user, may feel free to browse (but try not to carouse). Otherwise, the blog or whatever it is is now officially dead. I'll try a slightly more engaging system to present ideas next time around, with pictures I hope. Everyone likes pictures.

In no particular order, besides alphabetical, I present all my, uh, stuff that I wrote:

Abyss Divers - Space-Sim - Command a group of starfighters/temporal-mechanics in order to shut down tears in the space/time fabric to bizarre alternate dimensions. Like a fishbowl. Totally Not: X-Wing vs TIE Fighter. At all, really.

Alien Abduction - Sandbox - Beam up anything of value from some random backwater planet to expand the cultural and educational horizons of your species (as well as boosting your bank account). Totally Not: GTA meets Destroy All Humans.

Alien Life - Exploration/Strategy - Environmental-minded alien academia take on opportunistic alien loggers in this thinly-veiled moral allegory about conservation. Totally Not: Captain Planet.

BrainTrain - Railroad/Strategy - Build the universe's first interplanetary railroad system avoiding alien menaces along the way. Totally Not: Railroad Tycoon with a sci-fi element and a dumb name. Actually, that's pretty much exactly what it is.

Capsule World - RTS/God-Sim - A world built up from random gifts, creating unique results each time. Totally Not: Black & White.

Carnage in Candyland - Squad-based TPS - Take control of a somewhat darker reimagining of a cherished childhood wonderland. Totally Not: Call of Duty with candy.

Castlevania: Between a Belmont and a Hot Place - Platformer/Action - Just a concept for a 2D Castlevania that looks into what happens to the titular castle between vamp-cullings. Totally Not: Castlevania.

Choose Your Own Video Game - Multi-genre - Direct how you want your game to play out genre-wise. Sick of jumping puzzles? Get rid of them. Hordes of enemies to shoot down? You got it. Totally Not: Every game ever, combined.

Deep - RPG/Digger - Explore the mysterious past of your planet, shovel-first. An excavation full of excitement exclamations. So to speak. Totally Not: Mr Driller.

Dumbgeneers - Strategy/RPG/God-Sim - Omnipotentally protect a group of barely-functional dumbasses so they can get rich and powerful and spread the good word of you, the omnipresent director guy there. Totally Not: Worms, except they go underground this time instead of what they normally do.

Fire & Ice - RTS - Take control of elemental factions embroiled in a religious civil war. Fireballs versus blueballs. Because they're made of ice. That's what that means. Totally Not: War Wind, because only I remember that game.

Freakshow Simulator - World-Sim - Build your own freakshow by hiring freaks or making them. Then get rubes to pay to see 'em. Totally Not: Theme Park or the movie Freaked (aka Hideous Mutant Freakz).

Godhood - Action/Adventure - Smash cultists to smithereens to reclaim your divine heritage, one piece at a time. Totally Not: God of War.

Hammerspace - Action/Platformer - A lovesong to Looney Toons and cartoons in general. Refill the universal inventory of props that all cartoon characters depend on. Totally Not: Katamari Damacy.

Identikit Heroes - Team-based RPG - Create a bunch of heroes from bits and pieces and let them go to town. The parts decide their powers and abilities. Totally Not: LEGO Diablo. But wouldn't that game be awesome too?

Interdimensional Bandits - Stealth/Action/Strategy - Become leader of a gang of thieves and pillage all sorts of eras and dimensions for illicit booty. No, not that kind. Totally Not: Time Bandits, the movie. That had little people. This has regular-sized people. Mostly.

Item Quest - RPG/Strategy - The collectible subquest becomes the main quest in this colossal dungeon-delver/treasure-hoarder. A cure for kleptomania. Totally Not: Diablo, but with Scrooge McDuck's money bin to store stuff in.

Literamancy - RPG/Word Puzzle - Create three-letter spells to defend your kingdom or accidentally blow it up, depending on how easily amused you are. Totally Not: Boggle.

Luddite - Platformer/Stealth - Blowing up giant robotic aliens from the inside. Totally Not: Shadow of the Colossus.

Master of Magic In Space - World-Sim/Strategy - Take your magic mastery to the next level in this unnecessary sequel. Totally Not: Master of Magic in space, only it totally is.

Sacrifice - Squad FPS/TPS - Send troops to their probable deaths, rewind, repeat until you get it right. Or within an acceptable casualty limit. Totally Not: Lemmings.

Sky Citadel - RPG/Strategy - Conquer and control a mighty sky fortress in the time of sky pirates. Not that such a time existed, but still. You got a damn sky castle, who cares about factually-accurate historical details? Totally Not: Skies of Arcadia.

Spam Fight Simulator - RPG/Shooter/Beat-Em-Up - Take out that annoying spam in style. Shoot down wiener pill ads in phallic-shaped starfighters for extra irony fun. Totally Not: Gmail's spam filter. Because that shit don't work.

Super Mario RPG Suikoden - RPG/RTS - A merging of the Mario RPG series with Suikoden, taking the world from the former with the large cast and RTS battles of the latter. Totally Not: Super Mario RPG or Suikoden. But combined. You see?

Ultimate Showdown, The - Online FPS - A fanboyish internet song, made reality. Video game reality at least. You'll believe a Care Bear can take down Godzilla with the handy handicap system. Totally Not: An internet fad way past its prime.


Take a gander also at the Design series, including: Design Genres for ideas for all the different genres out there, the Design Licenses for ideas that require copyrighted material such as TV shows and Design Elements for ideas that focus on commonly-occuring video game elements.

Also of note is the 100 Game Ideas thing I pulled off after ten arduous weeks. They're mostly joke ideas, but there's some gems buried in there somewhere. Buried deep, deep down. Use a metal detector.

See you next time eating the pudding.

- AJI/Mento.

Contact: spento@gmail.com
or King Mento on XBL if you got dat XBox 360.

Design Element #5: NPCs

NPCs. Non-Player Characters. Essentially, they are any character in a video game (or tabletop game) that isn't you. This includes your many antagonists, bystanders and non (directly) controllable followers, which are all controlled by the in-game AI. The term NPC does have a slightly more refined and condensed definition, specifically used in RPGs, which limits the term "NPC" to any important, developed character that isn't controlled by a human player. So a named innkeeper that has their own gruff personality might be an NPC while a mindless, nameless zombie opponent might not.

For the purposes of this Design Element article, I'll be discussing the use of NPCs in a hypothetical free-roaming RPG (similar to an MMO like World of Warcraft, or a single-player RPG like the Elder Scrolls series) which allows you to hire NPC assistants, all of which have parameters and statistics randomly generated from a complex algorithm. Such a game may already exist, but it's been my experience that any game that uses developed NPC hirelings (such as Neverwinter Nights) uses specially created characters that remain identical for each playthrough.

These generated NPCs will follow some basic rules. For instance, a character that generates a low strength roll will not be a fighter - the stats will be generated first and then the game will simply assign the class that best suits those stats. It will then follow by generating, in order, the character's history (based on the class and stats), personality (based on the history - a troubled history will no doubt create a troubled character) and quirks (which, of course, will come from the personality aspect). A character's quirks may end up creating complications, but may also create various boons to that character, such a strong aversion to one type of enemy. Since the quirks are the last thing to be generated, they are also the least predictable, since they depend on every previous generated factor turning out a certain way. Therefore, players should always be on the lookout for a character with a generous assignment of positive quirks as they will be the rarest and most valuable allies to have.

Additionally, because the generation process can end up creating a dud and an overpowered freak respectively, the game will make a note of how powerful your hireling is and attach an experience handicap. Like golf, this handicap will boost or penalize the character depending on how good he is. As such, a powerful character will go up levels far slower than a weak character, who in turn will become high level very quickly and less of a liability as time goes on. This system is a variation of 3rd Edition D&D's Challenge Rating-affected character raising system that denies players controlling a particularly powerful race (such as half-dragon) from levelling up at an equal rate to their peers, to reflect that character's enhanced starting parameters. For simplicity's sake and also so the system can be balanced easier by the designers, the highest handicap will be x0.5 and the lowest x2.0.

The following are a few NPC "tags" that will strongly effect the NPC's usefulness and growth. These tags are generated along with everything else about the character and can often be very rare occurances. Most tags will be displayed on that character's readout during the hiring process and may also be worth your consideration--along with class and stats--when deciding who to hire.

Destiny - The destiny tag reveals that the NPC has some important factor about themselves which will come to light at a certain point of your adventure (should you stumble across the thing that triggers it). If a character with the Destiny tag is invoked (created by the generation tool, in other words) and hired, the game will generate a "secret" backstory for that character based on a selection of various RPG standards (or clichés) for a mysterious character hook. These can include the following:

• Prince/Princess of a lost or remote kingdom, hidden and raised in obscurity so that the enemies of that kingdom's royal family might never find them, allowing the royal line to continue. Obviously, to resolve the destiny of this NPC would require discovering this kingdom and their heritage. It may also include defeating the kingdom's current usurpers and recovering the throne. Fulfilling this destiny may grant all sorts of riches and bonuses to the NPC (and also therefore to the character who hired them and helped them reclaim their kingdom).
• A cult's chosen one. This may go very, very well or very, very badly depending on the cult. The game will have various story-developed cults, both active and abandoned, with a different destiny for each cult's respective chosen one. You may assist the cult in enacting that destiny with your hireling, or try your hardest to stop them. Obviously a doomsday cult should not be allowed anywhere near their chosen one. Inversely, a cult looking for the avatar of their fallen deity might be a good idea to invest some time into.
• The successor to another NPC's legacy. Various powerful non-hired NPCs populate the world and while the world's dungeons, hirelings and even topography may be randomly generated, these faction leaders stay the same. They're like the major characters in any kind of highly developed RPG world, like the Forgotten Realm's various famous personalities. A destiny-tagged hireling may have various aspects in common with any of these major NPCs and may decide to align themselves with them (or perhaps take over their legacy) instead of staying with you. As such, whenever the opportunity to enact this successor destiny presents itself, the NPC will do just that with or without your consent. Though this sort of Destiny will probably be irksome and entirely unexpected, there may be clues in the character's backstory and personality profiles which hint at an affinity to the chosen major NPC. Obviously a wizard with the Destiny tag and a personality that mentions "may be willing to do anything to increase their powers" will probably not result in anything good, especially with a famous power-mad lich character on the loose. The in-game hints will probably be a little less overt, however.

As you can see, the Destiny tag can end up being either a boon or a hindrance and will probably end up with you losing that NPC as they go off on their destined path without you. But it should be an interesting ride nonetheless and could grant you all sorts of advantages down the road. The friendship of a monarch or repowered deity would probably come in handy.

Epic - An Epic NPC hireling is one that will eventually be able to pass the regular level cap for NPC characters and become a truly powerful ally. Because not everyone in the world is capable of such a feat, the Epic tag is reasonably rare. Epic NPCs will also be able to unlock all sorts of powers and abilities they would not normally be able to, such as learning magic if they're a warrior class (provided they have a high intelligence stat) or being able to heal due to some divine sponsorship (when a God takes special interest in an amazing NPC). The downside, of course, is that the Epic tag traditionally only affects the over-powered characters that level as quickly as molasses in January. It can, however, and this is rarer still, affect those of a moderately powered character with halfway decent level progression. Such characters will be NPC gold if you can find them.

Cursed - Opposing the Epic tag is the Cursed tag, which works in a similar but usually far more negative way. Like Epic, it will unlock various randomized abilities at random levels. These abilities will almost always be bad. Like a strong allergy to water or lycanthropy; leading to a berserk, uncontrollable werewolf character during nights with a full moon. The plus side is that the game takes the Cursed tag as a major negative character aspect and will therefore increase the XP gain that character will receive in turn. This will mean a highly overpowered but Cursed character will go up levels quickly as if they were a weakling. Of course, this means you'll be stumped with all kinds of random fun maladies later on in that NPC's growth.

Betrayer - Unlike most of the other tags, the Betrayer tag is a secret one that the game will conceal from you. You won't receive any hints that this character will eventually betray you at your darkest hour, either because of some sociopathic disorder or simply because it would mean their fame and fortune. NPCs with the Betrayer tag exhibit no unusual behavior patterns or a change in their abilities and powers. The Betrayer tag is, fortunately, as rare as most of the tags and there's a chance they will simply abandon you after too long instead of stabbing you in the back at a crucial moment. Still, creating this sense of distrust among your hirelings should create some interesting drama and will stop you from being too dependant on the hired help.

I may cover more NPC aspects and tags in a future update, using the same hypothetical game template. Perhaps it will be tweaked for a sci-fi theme next time.

Top Games of 2007

Just a round-up for anyone interested in what I was playing last year. Keep in mind I had basically no money in 2007, so this is by no means taken from the full list of quality titles that came out last year. Just the ones I cared enough to fork out for, or at least rent (or liberally borrow from the internet, but only in a few cases. Honest.) :

1. Super Mario Galaxy (Wii)
- Sort of obvious, really. A pureblooded Mario platformer is on average as fun as supermodels in jello, and this one was the best one yet.

2. Mass Effect (XB360)
- My XB360 game of the year is Bioware's Mass Effect, a game I ended up renting three times overall. The combat never gets boring (despite having rather dumb enemies for an FPS) and the exploration elements were top-notch - I loved scanning the planets for valuables and reading their detailed histories (I know, nerdy). What this game really does for me, though, is create that optimistic Dark Chronicle feeling: that the first game was the flawed experiment of a new format which the inevitable sequel will nail perfectly.

3. Final Fantasy XII (PS2)
- Technically a 2006 game, though Europe (and therefore I) didn't get to play it until February of last year. Fantastic game that distanced itself from the tired traditions of the series while retaining the Final Fantasy charm.

4. Bioshock (XB360)
- Bioshock already got reviewed once by me. It's somewhere on the blog, go look for it.

5. Rogue Galaxy (PS2)
- My inevitable Level-5 entry, Rogue Galaxy was a little more generic than Dark Chronicle but still maintained a high level of RPGing quality with much, much to do by way of sidequests and the like. The weapon system was similar but improved, the Hunter missions were fun and time-absorbing and the whole setting - an intergalactic pirate ship out to find the galaxy's greatest treasure one planet at a time - is perfect for an exploration-based RPG. Outshone by Mass Effect in terms of sheer spectacle and size, but a great little game nonetheless.

6. Moero! Nekketsu Rhythm Damashii Osu! Tatakae! Ouendan 2 (DS)
Yep, compulsory elitist video game snob entry of a Japanese-only release with a unpronounceable name. Ouendan 2 is a sequel to the similarly-named hit DS rhythm game and continues its mission to bring cheer and bolster confidence to people on the edge of failing some monumental event of their lives. As well as the comedy aspect (largely intact despite the dialogue being entirely in Japanese), the game continues to be devilishly difficult and fun at the same time. The songs have improved and a few very convenient features have been added (some from the ill-received US version, Elite Beat Agents). It's a nigh-perfect DS game.

7. Legend of Zelda: Phantom Hourglass (DS)
- Widely reported to be the best DS game of 2007 and one I'd agree with if I hadn't wasted an exorbitant amount of time on Ouendan 2. A similar case to Mario Galaxy: the Zelda developers could've phoned it in - the name alone would've shifted a million copies without even trying - but went ahead and created a fantastic, innovative game anyway.

8. Valkyrie Profile 2: Silmeria (PS2)
- Valkyrie Profile 2 is the first chance, along with the PSP port of the original, for many European gamers to play this fantastic Norse God-based RPG series from Tri-Ace. You only have a small cast of "normal" human characters - the bulk of your adventuring group comes from Einherjar: the glorious dead that the Valkyries are charged with delivering to Asgard, the home of the Gods. This dynamic party of characters, coupled with unique 2D exploration and an almost-real-time strategic battle system brings together one of the finest RPGs I played last year.

9. Metroid Prime III (Wii)
- Included as part of the "most improved" category. The second game kind of dropped the ball, giving the game an interesting (if occasionally exasperating) gimmick but nothing else new. The third takes full advantage of the Wii, no mean feat for an already stable engine, as well as adding a whole bunch of cool new elements, such as remote controlling your ship to assist you in crucial missions.

10. Eledees (Wii)
- Guilty pleasure time. Eledees (Elebits in the US) is essentially hide-and-seek with a HL2-esque gravity gun, allowing you to throw the furniture around as you seek out tiny electric-based lifeforms and capture them. The more you capture, the more power the surrounding electronic objects gain and the resulting power boost increases the weight limit of the items you can toss around. It becomes addictive fun very quickly and perfect for those of us who have always wanted to trash a house with little effort.


Ten Honorable Mentions (in alphabetical order):
Blue Dragon (XB360) (Cute RPG with lots to explore but essentially flawed)
Castlevania: Portrait of Ruin (DS) (Terrific 2D Castlevania, like most of them)
Chibi-Robo: Park Patrol (DS) (Brilliant sequel to the GC classic)
Drawn to Life (DS) (Innovative "draw the stuff you need" platformer)
Eternal Sonata (XB360) (Another cute RPG with repetition problems)
Final Fantasy Fables: Chocobo Tales (DS) (Minigames galore in this card-battling curio)
God of War II (PS2) (Hyper-violent, button-mashing myth-them-up)
Overlord (XB360) (Like Pikmin, only with way more carnage and farting)
Puzzle Quest (DS) (Bejeweled/Zoo Keeper with a great RPG built around it)
Super Paper Mario (Wii) (A decent, but not amazing, RPG/Platformer hybrid)

Games I didn't get to play but will acknowledge that they may have made the top ten list had I played them: COD4, Guitar Hero 2 (and 3, and Rock Band for that matter), Orange Box (including Portal, which sounds great), Crackdown and either of the new Pokemon

Games which were out in 2007 in Japan/US but aren't out until 2008 in Europe and may make next year's list: Beautiful Katamari, Persona 3, Zack and Wiki: Quest for Barbaro's Treasure.

And finally, fuck Halo 3.

Thank you and good night.

Game Idea: Luddite

Yet another strategy game I'm afraid, though one that requires an equal mix of smarts and explosions. I know, those two things aren't usually the busomest of buddies, but I figure everyone likes explosions and the smarts are sort of unnecessary once you get into it.

You're a demolitions expert, one that is currently part of a guerrilla team of rebels fighting a conquering race of colossal mechanical creatures. In order to bring down these mechanical titans, you need to blow them up from inside their own power shielding, which renders them invulnerable from outside weaponry (which is how they took over your world so quickly). A second factor is their repair-bot technology which allows them to quickly replicate any damage by speedily reforging lost metal parts and repairing/welding holes and the like. As such, you need to move fast and create a network of explosives that will destroy the creatures utterly once set off, detonating every vital part before they have a chance to recover.

As such, you need to study the theoretical blueprints, reverse-engineered by fellow rebel scientists who have a vague understanding of how these synthetic aliens work, and plant all the necessary explosives before being discovered and then escaping the creature's proximity before the bombs go off. Sounds simple enough, right?

The gameplay is in the form of a stealthy platformer with multi-goal-based objectives (such as "go here and then here and then here" rather than a single course through the level) and a constantly moving and dynamic "stage", similar to the bosses in Shadow of the Colossus, though far larger and less personal. You have to evade not only the detection systems of the gigantic robot you're walking over and under (which tend to be in the form of smaller robotic parts shaped like alarms and cameras) but also the repair-bots themselves, who will identify you as a mechanical error and try to fix you. Just to clarify: you don't want to be fixed by those things. You have little in the way of weaponry, since most of your carrying capacity is taken up by the many explosives you need to plant, so discretion is the key. You can actually blow up the repair-bots without immediate detection if you're careful, since there's a delay between the destruction of a repair-bot and the time when the lost signal is acknowledged by the main lifeform, but this will mean speeding up your work since you now have a time-limit. Prolonged detection or the acknowledgement of a lost signal will mean highly corrosive gas will be vented throughout all areas of the lifeform, eliminating any organic life (such as yourself) that may have gotten in - You can, however, escape the gas by retreating temporarily and trying again later (hopefully with all the planted explosives still in place).

Your character is also equipped with a lightweight flying apparatus which can be unfurled and escaped on when necessary to escape the gigantic robot, either before it vents the gas or before the explosives go off. A partially destructive result (PDR) will not destroy the lifeform but its repairs could take a considerable amount of time to complete, based on how many explosives went off and how many repair-bots you put out of commission. A completely destructive result (CDR) will eliminate the creature entirely, allowing you to move onto the next one. Each being has its own personality and appearance, ranging from humanoid to animalistic to far more conventional "mechanical" shapes such as a giant sphere or a tank. It's up to the pre-mission theoretical blueprints and the various modifications to those plans while on the job to decide where best to plant the explosives. Sometimes, some reconnaissance is necessary for an informed decision of where best to strike - your colleagues can interpret what you're seeing from a video feed from your beneficial vantage point this close to the creatures and may often change their minds about the best spots to place an explosive.

Obviously, the danger level will be considerable, since you're carrying a lot of dangerous materials and have very little to defend yourself with. In most cases, you can simply dump the explosives and get the hell out if it's getting too risky. The explosives aren't easy to get ahold of, but they're far more replaceable than you are (which makes a welcome change). You can decide to leave the explosives (both planted and abandoned) where they are if you escaped without detection, or set them off to create a distraction to escape in as well as give you a head-start on the next attempt. The robot will recover the damage quickly if you failed to destroy it completely and be more alert for your next attempt, but may still be distracted with repairs when your next attempt is ready to go.

The tense, time-sensitive action, the deliberate decisions needed when calculating the optimum destruction as well as the non-obtrusive-but-still-sort-of-prevalent stealth elements should be a decent package. The massive majesty of your antagonists should cause some amount of awe and dread too.